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Send email to oran@oranetkin.com

This page is dedicated to my students and their families.

I currently teach at the Washington Market School, Brooklyn Conservatory of Music and conduct weekly group classes for 2-7 year olds organized by parents at private homes throughout Manhattan and Brooklyn.

Please click on one of the links below and then scroll down to find out more about what your child is learning, or browse the other pages of this website to find out more about my performance and recording activities.

Washington Market School Music Classes 2008-2009 (This Year)
Washington Market School Music Classes 2007-2008 (Last Year)
Washington Market School Music Classes 2006-2007
Private Group Classes 2006-2007

Home Music Classes with Oran:
Oran teaches group classes organized by parents at homes in Tribeca and Park Slope.

Classes now forming for the 2009 spring semester. Email Oran to register or for more information.

click here for details on classes offered.

WMS Duane St. Music Class 2008-2009:

  

Please join me on Wed. June 3 7-9pm for the release of my new CD, Kelenia at the Knitting Factory: 74 Leonard St. in Tribeca. The event features a special performance with my group plus special guests.
Click Here For A Preview Of The New CD
Click Here To Reserve Tickets
Email Me If You Want to Order A CD

I am working with the label to reach out to media for publicity, performance venues for booking and music supervisors for tv/film synch and licensing opportunities. If you have any suggestions on this end, I would love to hear them too!

In order to stay in touch, I have an email list that I periodically use to send out notices about events that may specifically interest you including classes and performances in the area.
Email Me To Join The Email List And Stay In Touch

Click For Info On Private Classes

Second Semester Music Class Songs:

Hit Play to start listening and use the arrows to change between the following tracks:

1. Yekeke (partial clip-- for full clip click here-- clip will play immediately after a 30 second PRI intro):
This is a traditional song from Guinea in Mandingo that the children learned to sing and drum. In this clip from my new CD, Kelenia, the clarinet is saying "ah nimo-li-la" and the kids can respond "Yekeke, nimo, yekeke", hitting the djembe (a West African drum) 3 times when they say "Yekeke" and pointing to themselves when they say "Nimo".

2. Eh La Bas:
This is a traditional song from New Orleans in French/Creole. I made up a story to go along with it that tells about King Louis XIV of France, who told people to go "La Bas" (over there in French) and they found Louisiana and named it after King Louis XIV. This recording is with my quintet featuring Jason Marsalis and part of a CD for children that I hope to release soon. I am also working on a children's book with this story to go along with the CD-- currently looking for publishers for that.

3. Mozart Tip-Toe (Non Piu Andrai from Mozart's opera, The Marriage of Figaro):
I had an older clarinet student who had to play this for an audition to a program at Juilliard, and I was trying to get him to play it with a sense of building anticipation like he was tiptoeing to a highly expected destination. As a result, I decided to teach that concept to 2-6 year olds using this game where the children tip toe and find Mozart hiding in various places around the room playing the piano, writing for the opera and writing for the clarinet-- at each point, the music changes to reflect the image of Mozart that we discover in its hiding place.

4. Tumbalalaika:
This yiddish song form Russia is a beautiful waltz about a boy who loved to play the Balalaika and to ask riddles. We sang the song and each child also learned how to play the waltz pattern (a three beat pattern) on the drums.

5. Lil' Liza Jane:
This is an old, old song. It's a call and response form, with the response to whatever the caller says being "Lil' Liza Jane". This version is by one of the patriarchs of New Orleans clarinet players-- Willie Humphrey. When I was a child I used to go down to New Orleans and hear him play (when he was in his 90s and his trumpet-playing brother was in his even later 90s!). Listen up, because that's some old time tradition and wisdom he's passing down!

6. The All Asked For You:
This is a song originally by the Meters one of the originators of funk music from New Orleans. Here, it's done by Milton Batiste... I guess you get a good representation of 3 of the New Orleans dynasties in this playlist-- the Marsalis (Eh La Bas), Humphrey (Lil' Liza Jane) and Batiste families. Each of those families have many great musicians. We used this song to learn about the tuba.

 

First Semester Music class songs:
Click on the name of the song to hear a recording. Scroll down to see lyrics.

Just Squeeze Me - (3:00)
We recently started learning about the piano and about Duke Ellington, the great pianist, composer and band leader. We are singing "Just Squeeze Me", a song Ellington composed in 1941. This track comes from a legendary recording that brought together two of the greatest pioneers of jazz: Louis Armstrong and Duke Ellington. On this clip that I made from the recording, you will hear Louis play the melody on his trumpet and then sing it. Then you will hear the trombone trade short improvised sections with Louis Armstrong singing and the clarinet improvising behind his singing. You'll then hear Duke Ellington take a short improvised piano solo and then Louis sings the melody out. We will listen to this recording in class and also learn about improvisation. Please scroll down to see the lyrics that we are using and the hand motions that go along with it.
Album Info: Louis Armstrong and Duke Ellington - The Great Summit

Jin-Go-Lo-Ba - (0:50)
This song is by Babatunde Olatunji, the great Nigerian percussionist (performed at JFK's inauguration, collaborated with John Coltrane, The Grateful Dead, etc.). This song was also covered by Santana. We play this song with Maracas. In the first part, we shake our Maracas while singing Jingoooo Jin-Go-, then hit them on the floor when we say Ba.
Album Info: Babatunde Olatunji - Drums of Passion

Salt Peanuts - (2:33)
This is a recording of Dizzy Gillespie and Charlie Parker playing a classic by Dizzy Gillespie. After the saxophone says "I'm feeling real hungry, now whatcha got?", we all answer: "Salt Peanuts, Salt Peanuts!". See if you can identify what instruments are soloing after the vocal part is over.
Album Info: Dizzy Gillespie - Groovin' High

Up The Stairs - (1:18)
This is an instrumental version of the song we sing as we go up the stairs to music class. The melody goes up the scale as we sing "come on up the stairs". The melody is also in a minor key which is common in western music, but strangely uncommon in children's music.

Oran Etkin - clarinet; Bob Sabin - bass


Lyrics:

Just Squeeze Me
Treat me sweet and gentle (put your hand over heart)
When you say goodnight (put your hands by your head like a pillow)
Just squeeze me (hug yourself)
But please don't tease me (shake your finger)
[Repeat]

Sometimes when you go away, I get the blues every day
I count the nights I'm waiting for you
Now I'm in the mood to let you know I never knew I loved you so
Please say you love me too...
[Repeat first section one more time]

Up The Stairs
Come on up the stairs to music, stairs to music, stairs to music
Come on up the stairs to music, come on up the stairs

Every song or game that we learn in music class has a purpose beyond entertainment. Some are designed to help internalize a musical concept, such as high vs. low or chord vs. melody. Others are designed to introduce the children to rhythmic and melodic structures that are not common in most western children's songs.

In order to expose the children to as wide a musical vocabulary as possible, we will sing songs from all over the world and from various genres, including jazz, African, Brazilian, Cuban, bluegrass, blues and classical music. Many of the songs that we sing have been recorded by the great masters of the genre to which they belong. This will allow the child to listen to the great artists that have defined their genres. Being able to actively listen to these masters at such a young age is perhaps the best way to internalize that ever illusive element that makes great music great.

Please check back regularly, as I will continue to add new songs to this site as we learn new music in class.

If you have any questions or would like to discuss your child, please feel free to send me an email at oran@oranetkin.com



Check Back Soon... More Songs Will Be Added Shortly